Tuesday, June 30, 2009
Bee Man
For years my husband wanted to have a hive or two of bees. His job often took him all over the world so it really wasn't realistic for him to follow his wish. About a year after he retired that wish came true. After about two years he acquired another hive and was beginning to have a loyal following for his honey. Last year something struck his best hive and he lost the whole colony. He put in his order for two more and received them this Spring. Then, his old colony swarmed, twice, he was able to capture one of the swarms so now he has four hives. So far we are not oozing honey from the eaves of our house, but we do have some good honey.
Bee Man
Monday, June 29, 2009
New Work Shadows
Today has been really productive for me. I've been working on a large piece and I told myself that I couldn't work on anything else until I got it to a certain point. Well, I finally got to that point. I've had several ideas rolling around in my head for a few weeks just waiting to get out.
In Feb. my husband and I went to California to visit our son's family. One day we went to Oceanside to visit the museum where the "Visions Quilt Show" was on exhibit. Afterword we walked out to the end of the pier and had lunch at a little diner. On our way back down the pier I notice the neat shadows of my husband and myself. I loved the photo and used it to make a journal quilt. I still wanted to do something else with the image so I started playing with it today. This is the results. Still have lots to do but I'm liking it.
In Feb. my husband and I went to California to visit our son's family. One day we went to Oceanside to visit the museum where the "Visions Quilt Show" was on exhibit. Afterword we walked out to the end of the pier and had lunch at a little diner. On our way back down the pier I notice the neat shadows of my husband and myself. I loved the photo and used it to make a journal quilt. I still wanted to do something else with the image so I started playing with it today. This is the results. Still have lots to do but I'm liking it.
Bird Tree beginning of New Work
When I was in Paducah at the AQS show in April I purchased this piece of fabric. When I saw if another woman was looking at it very seriously. I kept standing there nonchalantly looking at other pieces and saying over and over to myself, "don't buy it, don't buy it". Well, after a while she laid it down and I pounced on the fabric. I knew there was something special to do with this marbled piece of fabric. Last month I was at my Focus Art Group meeting and showed the piece to my group. I had some ideas and they shared some ideas. The ideas have been rolling around in my head for a few weeks and this is what I came up with. The birds are cut out of paper but I plan to stylize the birds with minimal detail. Can't wait to work on it again.
Saturday, June 27, 2009
Some of the hand-dyed fabric from Bonnie Ouellette's workshop
Some of the hand-dyed fabric from Bonnie Ouellette's workshop
Wednesday, June 24, 2009
SC's Own Dairy Barn
This is the location of a dying workshop given to Lake and Mountain Quilt Guild by Bonnie Ouellette. I just had to play off the Dairy Barn. While I have never seen the Dairy Barn in Ohio I'm quite sure it doesn't look like this.
The workshop was on the hottest day we have seen this Summer. I'm not sure what the temp. reached that day but it was at least 96 degrees. The workshop coordinator worked hard to keep us as cool as possible with fans and plenty of water. Actually the barn proved to be a good location for the dying class, we didn't have to worry about spills and mess. We had an occasional piece of hay floating in the water but it only absorbed a little dye.
I left early and drove with my husband to visit our daughter's family in Mt. Pleasant. I left my fabric in the bags of dye, Bonnie said they would be OK, so I am spending today rinsing and rinsing. This is by far the hardest part of dying your own fabric. I worked mostly on gradations because of the art work I do. After they are all rinsed, dried and ironed I will post a photo.
The workshop was on the hottest day we have seen this Summer. I'm not sure what the temp. reached that day but it was at least 96 degrees. The workshop coordinator worked hard to keep us as cool as possible with fans and plenty of water. Actually the barn proved to be a good location for the dying class, we didn't have to worry about spills and mess. We had an occasional piece of hay floating in the water but it only absorbed a little dye.
I left early and drove with my husband to visit our daughter's family in Mt. Pleasant. I left my fabric in the bags of dye, Bonnie said they would be OK, so I am spending today rinsing and rinsing. This is by far the hardest part of dying your own fabric. I worked mostly on gradations because of the art work I do. After they are all rinsed, dried and ironed I will post a photo.
SC's Own Dairy Barn
SC's Own Dairy Barn
Barbara is getting her fabric ready to dye. She is placing plastic balls in the fabric and securing them with rubber bands. After it goes into the dye the fabric will resist the dye where the rubber bands are placed. The circle will also be a lighter color. I didn't get to stay long enough to see the end results, perhaps I can get a photo later.
SC's Own Dairy Barn
Libby is dying fabric in plastic bags. She is using a solution of water, soda ash and salt. We did some gradation dying using one cup of solution to 1/2 teaspoon dye for the lightest and progressing to 1 teaspoon, 1 Tablespoon, 2 Tablespoons, 4 Tablespoons and finally 8 Tablespoons for the darkest color.
Monday, June 22, 2009
SC's Own Dairy Barn
Monday, June 15, 2009
Aubrey's Visit
Our Granddaughter Aubrey, visited us last week. We had a big schedule to follow as both she and I had many projects we wanted to accomplish while she was here. I had purchased a shirt, skirt and a pair of tennis shoes to dye. She wanted to make something for her Mom's birthday and her Dad for Father's Day. These aren't posted because she hasn't given the gifts to her parents yet.
She brought her portfolio from an after school art class for me to look at her work. Included in the portfolio was a self portrait in fabric. I posted it back a few months ago, it was unfinished at that point.
Of course, all the week wasn't spent working, we had fun as well. Lots of swimming with Papa and tubing on the lake.
She brought her portfolio from an after school art class for me to look at her work. Included in the portfolio was a self portrait in fabric. I posted it back a few months ago, it was unfinished at that point.
Of course, all the week wasn't spent working, we had fun as well. Lots of swimming with Papa and tubing on the lake.
Aubrey's Visit
Aubrey's Visit
Aubrey's Visit
Friday, June 12, 2009
A Happy Garden
This is the view you see as you come into the gate of our front yard. We have a very shady lot so most of our flowers have to be shade hardy. Obviously, we have lots of hydrangeas and hostas. I feel blessed that we do have the shade because hydrangeas just happen to be my favorite shrub in the world.
My Husband is a volunteer at the SC Botanical Garden in Clemson. He is the volunteer in charge of keeping the hydrangea garden in good shape. The garden has provided him with the opportunity to learn about the plants that he and I enjoy so much. This year our garden is the happiest it's been since we planted it. It's had lots of rain, something that's been missing in the past four years. Hope you enjoy the tour of my front garden.
My Husband is a volunteer at the SC Botanical Garden in Clemson. He is the volunteer in charge of keeping the hydrangea garden in good shape. The garden has provided him with the opportunity to learn about the plants that he and I enjoy so much. This year our garden is the happiest it's been since we planted it. It's had lots of rain, something that's been missing in the past four years. Hope you enjoy the tour of my front garden.
A Happy Garden
A Happy Garden
This old fence has such a wonderful story. Several years ago the church my Mother-In-Law attends wanted to clean up the cemetery. What they actually wanted to do was get rid of all the fences to make it easier to maintain. They had to have permission from a family member in order to remove the fences. My Mother-In-Law is one of this churches biggest supporters, and I don't necessarily mean money wise. She puts in long hard hours working to help her church. At first she didn't want the fence taken down but finally decided that she would give her OK. However, she told them that she wanted the fence delivered to her house. My husband and I were building our log home at the time and she asked if we could like to have some of the units. Fortunately none of the other children wanted any of the pieces so we ended up with enough to go across the front of our yard. We were also lucky enough to get the gate. I love this fence.
Monday, June 8, 2009
Water Technique
I've had a lot of request about the technique I used to make the water in the Mexico piece.
I started with a piece of cotton that was slightly wet. I painted what I hoped to be a mountain in the mist. I had it laying on a large sheet of paper and left it overnight. When I went back to the dried cotton the whole design had morphed into what I thought looked like water. The paper was quit beautiful as well. When I needed a fabric for the waterfall in this piece I thought of the hand painted cotton.
The painted cotton became the foundations fabric. I then added rocks. I felt that I needed a more shiny surface so I used a shimmery organza. Under the organza I strategically placed yarn that I had stripped into small pieces. I used a blue-green yarn that was twisted as well as a white yard that was fat in one place and skinny in another. I raveled the yarn until I had what I wanted to make the water look as if it were falling over the falls.
I used Misty Fuse on the back of the organza and fused over the rocks, yarn and painted fabric. Misty Fuse works beautifully for this technique because you can see it through the organza and it adds texture. I love Misty Fuse for lots of reasons but the biggest asset for me is that I can lift it without any trouble until I am ready to give it a final set.
I painted around the edge of the water to get a muddy look. I also painted around the rocks.
I hope this answers our questions. If not send me an email and I will try to answer your questions.
I started with a piece of cotton that was slightly wet. I painted what I hoped to be a mountain in the mist. I had it laying on a large sheet of paper and left it overnight. When I went back to the dried cotton the whole design had morphed into what I thought looked like water. The paper was quit beautiful as well. When I needed a fabric for the waterfall in this piece I thought of the hand painted cotton.
The painted cotton became the foundations fabric. I then added rocks. I felt that I needed a more shiny surface so I used a shimmery organza. Under the organza I strategically placed yarn that I had stripped into small pieces. I used a blue-green yarn that was twisted as well as a white yard that was fat in one place and skinny in another. I raveled the yarn until I had what I wanted to make the water look as if it were falling over the falls.
I used Misty Fuse on the back of the organza and fused over the rocks, yarn and painted fabric. Misty Fuse works beautifully for this technique because you can see it through the organza and it adds texture. I love Misty Fuse for lots of reasons but the biggest asset for me is that I can lift it without any trouble until I am ready to give it a final set.
I painted around the edge of the water to get a muddy look. I also painted around the rocks.
I hope this answers our questions. If not send me an email and I will try to answer your questions.
Sunday, June 7, 2009
Mexican Quilt in progress
Mexican Quilt in progress
I have finally had time to get back into my studio and do some art work. I started on this piece at least a year ago. Since I haven't had a big block of time to work on it I've only done bits and pieces. I've left it on my design wall and have been studying what I need to do. The thing that is really bothering me now is the roots on the tree to the right. I have a close up photo of it posted below. Any suggestions would be appreciated.
The space to the left that is vacant is a very important part of the whole design. I have some of it finished but don't want to show it until I'm finished.
The space to the left that is vacant is a very important part of the whole design. I have some of it finished but don't want to show it until I'm finished.
Mexican Quilt in progress
Mexican Quilt in progress
Mexican Quilt in progress
Mexican Quilt in progress
Saturday, June 6, 2009
The Everchanging River Exhibit
This section of the river was done by the group Focus. I didn't have these photographs last night when I posted my original posting on the river exhibit. Diana Pickens sent them to me this morning. I have Judy Rapelje to thank for the other photos.
If you have been reading my blog you will remember that our computer crashed and I lost everything. Not smart to back it up! I hope to continue getting more photos that will give a better idea of the continuence of the river exhibit. It will be on exhibit at NQA June 18-20. There is more information about this in the post below. I hope you enjoy.
If you have been reading my blog you will remember that our computer crashed and I lost everything. Not smart to back it up! I hope to continue getting more photos that will give a better idea of the continuence of the river exhibit. It will be on exhibit at NQA June 18-20. There is more information about this in the post below. I hope you enjoy.
The Everchanging River Exhibit
Friday, June 5, 2009
The Everchanging River Exhibit
The Everchanging River Exhibit
Opening night at The Arts Company in Seneca, SC show the owner Warren Carpenter talking to one of many visitors to the exhibit.
About a year and a half before the exhibit opened, in October of 2008 Warren asked me if I would curate an art quilt exhibit that would fill the room yet connect and undulate as it progressed. There was a window in one of the walls that he wanted to be considered part of the wall so there would be no interruption of the line. Considering the size of the four walls and the number of quilts it would take to fill them, I decided that I must work with groups that were already established. The Thread Heads of Seneca, SC. The Fringe Sisters of Columbia and Focus of The Upstate, of which I am a member, filled the bill. Bonnie Ouellette, Marge Edie and myself decided on a river as the continuing connection.
Fabric that resembled water was purchased and each member was given a fat quarter along with size limits, 18" wide and no longer than 14" to 23". They were also given the width of the river coming into their piece and the width of the river exiting there piece. They could place the river any where within the piece. There were no restrictions as to the content, it could be representational or abstract. I hope you will enjoy the show.
About a year and a half before the exhibit opened, in October of 2008 Warren asked me if I would curate an art quilt exhibit that would fill the room yet connect and undulate as it progressed. There was a window in one of the walls that he wanted to be considered part of the wall so there would be no interruption of the line. Considering the size of the four walls and the number of quilts it would take to fill them, I decided that I must work with groups that were already established. The Thread Heads of Seneca, SC. The Fringe Sisters of Columbia and Focus of The Upstate, of which I am a member, filled the bill. Bonnie Ouellette, Marge Edie and myself decided on a river as the continuing connection.
Fabric that resembled water was purchased and each member was given a fat quarter along with size limits, 18" wide and no longer than 14" to 23". They were also given the width of the river coming into their piece and the width of the river exiting there piece. They could place the river any where within the piece. There were no restrictions as to the content, it could be representational or abstract. I hope you will enjoy the show.
The Everchanging River Exhibit
In June of 2008 the three groups met to put all the quilts together for the first time. It was an exciting time for all of us. Little did we know when we first hung these that a year later they would be going on tour. For the quilt show vendors it was imperative that we prehang the quilts on a background so that they would be easier for the shows to hang them. These quilts undulate due to the river going in and out of the quilted piece at various points. This makes for a complicated hanging. TheThread Heads took on the job of hanging each quilt on an individual black background. This was no small feat. Marge Edie of Bargello fame, is also a mathematician. Without her many hours of thought and work this would have been a much more difficult job.
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